Having spent a day pre-lighting, on the first day of the shoot we
decided that it was too "safe" and re-lit. The
light level we shot at was dictated by the night lights that the
art director liked. Our 10mm had a maximum aperture of T2 so that's
where we shot it.
My last commercial shot on '94. It's probably the thinnest neg.
I ever shot. I didn't find out how thin until the final telecine
was done 6 months after the shoot.
A great source of amusement on the shoot was when I fell over, slipping
on the coating of oil that covered the stage because of the amount
of cracked oil I had pumped in.
Well, we had to wait for the animation.